Do you design a lot of characters living in not-modern eras and you’re tired of combing through google for the perfect outfit references? Well I got good news for you kiddo, this website has you covered! Originally @modmad made a post about it, but her link stopped working and I managed to fix it, so here’s a new post. Basically, this is a costume rental website for plays and stage shows and what not, they have outfits for several different decades from medieval to the 1980s. LOOK AT THIS SELECTION:
OPEN ANY CATEGORY AND OH LORDY–
There’s a lot of really specific stuff in here, I design a lot of 1930s characters for my ask blog and with more chapters on the way for the game it belongs to I’m gonna be designing more, and this website is going to be an invaluable reference. I hope this can be useful to my other fellow artists as well! 🙂
yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!
Sketchup is incredibly helpful. I can’t recommend it enough.
There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every
time I see it come around.
We live in a pretty great digital age and we have access to
a ton of amazing tools that artists in past generations couldn’t even dream of,
but a lot of people look at a cool trick and only learn half of the process of
using it.
Here’s the missing part of this tutorial:
How do you populate your backgrounds?
Well, here’s the answer:
If the focus is the environment, you must show a person in relation to
that environment.
The examples above are great because they show how to use the
software itself, but each one just kind of “plops” the character in front of
their finished product with no regard of the person’s relation to their
environment.
How do you fix this?
Well, here’s the simplest solution:
This is a popular trick used by professional storyboard and
comic artists alike when they’re quickly planning compositions. It’s simple and
it requires you to do some planning before you sit down to crank out that
polished, final version of your work, but it will be the difference between a background
and an environment.
Even if your draftsmanship isn’t that great (like mine),
people can be more immersed in the story you tell if you just make it feel like
there is a world that exists completely separate from the one in which they
currently reside – not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as
any other member of the cast. Make it as believable as they are.
Great comments and tutorials!
I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!
Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!
Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)
The armature can also be posed incredibly easily. I know programs exist for stuff like this – Manga Studio, Design Doll – but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.
By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!
Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.
We can even quickly and easily expand this scene to include more characters!
Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!
So, let me guess— you just started a new book, right? And you’re stumped. You have no idea how much an AK47 goes for nowadays. I get ya, cousin. Tough world we live in. A writer’s gotta know, but them NSA hounds are after ya 24/7. I know, cousin, I know. If there was only a way to find out all of this rather edgy information without getting yourself in trouble…
You’re in luck, cousin. I have just the thing for ya.
I got your back, cousin. Just head over to Havocscope.
((PS: In case you’re wondering, Havocscope is a database full of information regarding the criminal underworld. The information you will find there has been taken from newspapers and police reports. It’s perfectly legal, no need to worry about the NSA hounds, cousin ;p))
I’d just like to add, see how they behave when they’re angry/frustrated/exhausted, and if you see something that concerns you, wait until they’re calm, and then talk to them about it.
My husband used to yell when he got frustrated, but after I explained to him that I found it upsetting, he stopped yelling and started consciously working on asking for help before he got to that level of frustration.
When I’m upset over something, or just in a bad mood, I tend to withdraw. My husband explained to me that it makes him feel like I’m mad at him, so now when I need some space, I’ll tell him what I’m upset about, or that I’m in a bad mood for no particular reason, and I need to be alone for a little while.
See your friends and partners at their worst, but don’t assume that their worst is immutable. If someone loves and cares about you, they’ll try to accommodate you to the best of their ability.
^^^^ This is the best advice I’ve ever seen on this site, and it is so important. Communication is everything, and is 80% of the reason my husband and I have such a healthy, strong, and supportive relationship.
This is also really useful stuff to consider when writing a character, especially a character you’re fond of. If they seem to act like a saint in every situation then you’ve got a problem.
In case anyone actually wants to know the answer: it’s the plot of Cars. The difference is literally the plot of Cars.
Highways are usually two-to-four (at the widest) lane roads that meander the US landscape. Think Route 66, dinosaur statues, mom-and-pop diners, southern gothic. There are state-level and national-level highways. Some run for a 100 miles, some, like US HWY-17, run most of the East Coast:
That red line is US HWY 17. If you follow it, you will go through tiny towns. You may hit stoplights. I kid you not, you will see spinning cows on poles. Businesses exist along highways that you are encouraged to pull over and visit. They were designed to let you see America.
Yeah.
Now, interstates were made in the 50s and were made to get people from Point A to Point B. These suckers range from four lanes to eight lanes around big cities. They cut through everything. If you want to get to a business, you have to take an exit ramp and detour. They are great for getting places fast. You can still have weird experiences on them, but usually at night, when your eyes start playing tricks on you. Or there are deer.
I-95 is a massive corridor that runs from the Florida Keys to the Canadian Border. You can see the difference just looking at the maps.
As far as writing goes:
If you want quirky character development inside the car, you’re looking for an interstate. The majority of Americans take interstates to go on road trips.
If you want mysterious and/or supernatural hijinks, you’re looking for a highway. They are weird, weird places, and they’re surprisingly easy to wind up on if you leave the interstate.
(Even in America, no one’s really sure what a freeway is. Just ignore it.)
Freeways exist in big cities where cars are more prominent than public transport, such as LA or Atlanta. You’ve year of liminal spaces? Freeways during rush hour are a physical manifestation of hell.
Awesome! Now what the hell is a turnpike?
If you find out, let me know. Maybe ask someone from New Jersey.
A turnpike is a highway with a toll. Turnpikes are special highways where you drive really fast and it’s usually linking big cities with each other and you keep going until you hit a toll booth.
They’re called “turnpikes” because in the olden days, there were pikes or barriers up and you had to pay the toll for them to be raised or turned to let you in.
if you have an ipod or iphone or ipad or whatever then Please download the app “Make a Pose”
it gives you a lil figure like this
and you can make them do whatever you want!! Like
Took me about 1.4 minutes to make this sad little guy it’s Really easy to get the hang of
they Happy
you can change the camera angle so easy too so you can get perspective + foreshortening reference
THIS IS ALL FREE TOO but if you pay $2 you unlock the ability to have two figures onscreen at the same time so you can make COUPLE POSES
AND YOU CAN CHANGE THE LIGHTING,
you can also make rooms and place some objects or characters like so:
YOU WANT A CHARACTER W/ A BIGGER CHEST? HERE THEY ARE
YOU WANT A FRICKIN HORSE?
NEIGH NEIGH MOTHER FUCKER
ANYWAY YOU CAN PAY ABSOLUTELY $0 TO GET THE APP WITH THE ABILITY TO POSE ONE FIGURE AT A TIME AND IF YOU PAY $2 YOU GET TO PUT UP TO 6 CHARACTERS ON THE SCREEN AT ONCE AND YOU ALSO GET A GOTDAMN HORSE. again it is called “Make a Pose” and it’s for iphone or ipod touch or ipad and i cannot recommend it enough
Procrastination Queen 